Fresh from their drama school studies, two Suffolk talents are stepping onto the prestigious West End stage.

Kai Spackman and Mariam Pope, both recent graduates, have secured roles in the celebrated production of Harry Potter and the Cursed Child at London's Palace Theatre.

Spackman will embody the character of Scorpius Malfoy, while Pope takes on the role of Polly Chapman.

For these actors, originating from Lowestoft and Ipswich respectively, joining the award-winning show represents a lifelong ambition fulfilled.

They express profound excitement and anticipation about performing before their inaugural audience in this landmark production.

Ms. Pope's childhood deep fascination with the Harry Potter series involved constant reading and performing character voices.

She now pinches herself daily in rehearsals, amazed her magical role is reality.

Mr. Spackman expressed profound gratitude online for collaborating with an exceptional team both onstage and off.

He acknowledged the multitude of supportive individuals who aided his journey.

Mr. Spackman began his professional journey mere months after finishing studies at Guildford School of Acting.

Ms. Pope secured her role post-graduation from Rose Bruford College in Kent, achieving a top-tier degree.

Auditioning required pretending to wield magic within Hogwarts, which instantly dissolved nerves.

The sheer fun of embodying magic made the audition feel like fulfilling a universal dream, causing performers to forget they were trying out.

Since its first performance nine years ago, the production has been seen by more than 11 million people around the world, with over 2 million attending West End performances.

Set nineteen years after the finale of the original saga, the plot follows a new cohort of students at Hogwarts.

At the centre are Albus Potter and Scorpius Malfoy, the sons of Harry and Draco, who quickly become friends despite the old enmity between their fathers.

The show is renowned for its technical complexity; Ms Pope describes the company as a "well-oiled machine" that keeps the magic alive.

"It's going to be really, really fun," she added.

The stage work has also amassed roughly 60 major awards, including nine Oliviers and six Tonys — two of those Tonys were for best new play.

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