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Reflections Of Bengal In Solvyn’s Etchings
These works have since become a significant ethno-socio-cultural document, says Sudipto Mullick. Etchings by Frans Balthazar Solvyns, held at the Alipore Jail Museum. While contemporary Indians often view the West as the epitome of opportunity, it was back in 1791 that the Flemish fine artist Balthazar, also known as Baltazard Solvyns, arrived in Calcutta—then under British rule—from Antwerp, Belgium. https://www.artsoullifemagazine.com/reflections-of-bengal-in-solvyns-etchings
These works have since become a significant ethno-socio-cultural document, says Sudipto Mullick. Etchings by Frans Balthazar Solvyns, held at the Alipore Jail Museum. While contemporary Indians often view the West as the epitome of opportunity, it was back in 1791 that the Flemish fine artist Balthazar, also known as Baltazard Solvyns, arrived in Calcutta—then under British rule—from Antwerp, Belgium. https://www.artsoullifemagazine.com/reflections-of-bengal-in-solvyns-etchings
Reflections Of Bengal In Solvyn’s Etchings
These works have since become a significant ethno-socio-cultural document, says Sudipto Mullick. Etchings by Frans Balthazar Solvyns, held at the Alipore Jail Museum. While contemporary Indians often view the West as the epitome of opportunity, it was back in 1791 that the Flemish fine artist Balthazar, also known as Baltazard Solvyns, arrived in Calcutta—then under British rule—from Antwerp, Belgium. https://www.artsoullifemagazine.com/reflections-of-bengal-in-solvyns-etchings
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